Identification
Photo reference
2 uploaded photos
Overview
Attribution is locked to Teddy Romanik via the clear pencil signature and date "'90" in the lower right margin. The originality gate is passed as an original hand-pulled print (likely a monotype or intaglio process) due to the distinct plate mark and painterly ink application on heavy wove paper, distinguishing it from a mechanical reproduction. Teddy Romanik was a Florida-based artist and notable art collector active in the 1980s-90s.
Story
Teddy Romanik was a Florida-based artist and notable art collector active in the 1980s and 1990s. While recognized regionally, her works do not have a deep, highly liquid national auction record, placing this piece in the regional/decorative tier of late 20th-century American abstract art. The secondary market for late-20th-century abstract prints by regional artists is primarily driven by decorative appeal rather than strict collector demand.
Maker / Origin
Teddy Romanik
Condition & Value
The print appears to be in generally good condition under glass, with strong ink colors and no obvious tears or foxing visible in the central image area. However, the yellowing bevel of the mat strongly suggests non-archival framing materials were used.
Full Research
Sold comps, value drivers, and venue guidance pulled from recent auction results.
The secondary market for late-20th-century abstract prints by regional artists is primarily driven by decorative appeal rather than strict collector demand. Works with strong color palettes and clear provenance perform best in retail gallery settings or curated online marketplaces like 1stDibs and Chairish. Auction results for minor listed artists tend to be softer, often clearing under $300 unless the piece is exceptionally large or a confirmed unique monotype.
▲ Clear, verifiable pencil signature and '90 date secure the attribution.
▲ Visible plate mark confirms it is a hand-pulled print rather than a mechanical reproduction.
▲ Strong, vibrant abstract composition appeals to contemporary decorative buyers.
▼ Unverified edition size — if the matting hides a large edition fraction, the value drops compared to a unique monotype.
▼ Unverified dimensions — if the print is smaller than standard gallery size (e.g., under 11x14 inches), the estimate would skew toward the low end.
▼ Potential acid burn — the yellowing mat bevel suggests non-archival framing, which may have already damaged the hidden margins.
Best Venue
To maximize value, carefully remove the print from the current frame to check the hidden bottom edge for an edition number and replace the acidic matting with archival materials. Once dimensions and edition details are confirmed, list the piece on a curated decorative marketplace like Chairish or through a regional modern art auction house.
Upside Potential
If removal from the matting reveals this is a unique monotype (e.g., marked '1/1' or 'Monotype') and the dimensions are substantial (over 24 inches), the piece could reach or slightly exceed the high end of the range in a retail gallery setting.
Also found — market-range context
Surfaced during research but not used to anchor the valuation — wrong form, species, era, or no published price. Shown so the market range around this item is visible.