Identification
Photo reference
2 uploaded photos
Overview
The artwork features a clear, legible signature 'Amos L. Wallace', a title 'Thunderbird & Killer Whale', and an edition number '73/300'. The visual style is classic Pacific Northwest Coast formline art, consistent with the known Tlingit artist Amos Wallace.
Story
Amos L. Wallace (1920-2004) was a highly regarded Tlingit artist from Juneau, Alaska, known for his dedication to traditional formline design, wood carving, and silverwork. His works are held in several major museum collections. This piece, 'Thunderbird & Killer Whale', is a classic representation of Tlingit mythology and stylistic tradition. The secondary market for mid-to-late 20th-century Pacific Northwest Coast Native American prints remains steady, driven by regional collectors and enthusiasts of traditional formline art.
Maker / Origin
Amos L. Wallace
Condition & Value
Based on the visible evidence, the print appears to be in good condition with strong contrast and a clear signature. However, because the artwork is framed, it is not possible to assess the margins or the reverse side.
Full Research
Sold comps, value drivers, and venue guidance pulled from recent auction results.
The secondary market for mid-to-late 20th-century Pacific Northwest Coast Native American prints remains steady, driven by regional collectors and enthusiasts of traditional formline art. While Amos Wallace is a respected name, his prints generally trade in an accessible price tier compared to original carvings or works by artists like Robert Davidson. Pieces with classic motifs like the Thunderbird and Killer Whale tend to move reliably at auction or through specialized online platforms.
▲ Clear, hand-signed pencil signature by recognized Tlingit artist Amos L. Wallace.
▲ Limited edition numbering (73/300) confirms it is a controlled release rather than a mass-produced poster.
▲ Features highly desirable, classic Pacific Northwest Coast formline motifs (Thunderbird and Killer Whale).
▼ Unverified dimensions — a smaller-than-expected print size would push the value toward the $150 floor.
▼ Unknown framing materials — if non-archival mats were used, hidden acid burn could negatively impact the print's condition and value.
Best Venue
List this piece through a regional auction house in the Pacific Northwest (such as those in Seattle or Vancouver) or on a broad platform like eBay with highly optimized keywords (Amos Wallace, Tlingit, Formline, Northwest Coast). Before listing, measure the exact dimensions of the visible print and the frame, as size is a critical factor for buyers.
Upside Potential
If the print is exceptionally large (e. g., over 24 inches in height) and the back of the frame reveals original gallery tags or provenance from a notable collection, it could reach the high end of the range or slightly exceed it.
Also found — market-range context
Surfaced during research but not used to anchor the valuation — wrong form, species, era, or no published price. Shown so the market range around this item is visible.