Overview
This evocative artwork depicts a traditional Korean woman (eomeoni) in hanbok carrying an infant piggyback, rendered in a textured relief print or stone-rubbing style on flecked mulberry hanji paper. The upper-right calligraphy dates the piece to the cyclical year 'Wu Chen' (1988) alongside the artist's art name (ho) and red cinnabar seal impressions.
Story
Carried across generations, the posture of a mother binding her child securely to her back with a podaegi is an enduring symbol of Korean maternal devotion. Rendered in 1988 on fibrous hanji, it preserves a poignant folk memory.
Maker / Origin
The piece is signed with an art name (ho), likely reading 'Soshim' (素心) or similar, accompanied by two vermilion seal marks. Printmakers and folk artists in late 20th-century Korea often engaged in the Minjung (people's) art movement or traditional folk revivals, capturing everyday domestic strength through raw, expressive textures.
Condition & Value
Appears in good vintage condition within a contemporary glazed frame. The hanji paper retains strong character with natural fiber inclusions, though there are minor tape remnants or reflections visible at the outer glass edges that do not affect the artwork itself. Condition is stable and decorative.