Overview
A striking example of 'thrown and altered' studio pottery, this vase features a high-gloss white glaze over a fluid, asymmetrical form. Its most defining characteristic is the deep, intentional indentation on the side, creating a biomorphic shape that challenges traditional ceramic symmetry.
Story
The 1970s and 80s saw a massive resurgence in the 'Studio Pottery Movement,' where artists moved away from the cold, perfect lines of factory-made ceramics to embrace the 'human touch.' This piece is a physical record of a moment in time: the potter would have thrown a perfect bulbous shape on the wheel, and then, while the clay was still soft and 'leather-hard,' they used their hand to collapse the wall inward.
Maker / Origin
While this piece lacks a visible maker's mark, it belongs to the rich tradition of independent studio potters who flourished in the wake of Mid-Century Modernism. These artists were heavily influenced by pioneers like Eva Zeisel and Isamu Noguchi, who believed that everyday objects should mimic the soft, flowing curves found in nature.
Condition & Value
The vase appears to be in excellent vintage condition with no visible chips, cracks, or crazing in the glaze. There is some minor shelf wear and adhesive residue on the bottom which can be easily cleaned. The integrity of the 'altered' section is perfect, with no stress fractures. Excellent condition for a studio piece.