Overview
A striking pair of slender porcelain vases decorated in underglaze cobalt blue with traditional floral and avian motifs. They feature a horizontal six-character apocryphal mark on the shoulder attributing them to the Ming Dynasty.
Identification
Photo reference
4 uploaded photos
Overview
A striking pair of slender porcelain vases decorated in underglaze cobalt blue with traditional floral and avian motifs. They feature a horizontal six-character apocryphal mark on the shoulder attributing them to the Ming Dynasty.
Story
During the late 19th and early 20th centuries, Chinese potters experienced a cultural renaissance, reviving Ming-era underglaze techniques to honor a lineage of craftsmanship that defined global luxury.
Maker / Origin
Produced in Jingdezhen, the historic porcelain capital of China, these vases reflect a transitional period where artisans translated elite literati painting motifs onto domestic ceramics.
Condition & Value
Their survival as an intact, matching pair significantly elevates their market standing, as Chinese porcelain collectors strongly penalize single or 'married' replacement pieces. The vases appear to be in excellent condition with no visible chips, cracks, or 'fritting' (tiny chips) to the rims.
Full Research
Sold comps, value drivers, and venue guidance pulled from recent auction results.
The market for Chinese painted ceramics draws a sharp distinction between true pairs, near-pairs, and single pieces. An intact pair commands a strict 50% to 100% premium over equivalent single wares. This is demonstrated by the Eldred's comp, where a comparable pair with apocryphal Wanli marks realized $2,000, while a similar single vase at Bukowskis sold for approximately $1,500. The owner's disagreement regarding the identification has been evaluated; while the Wanli mark is present, pricing must align with the Late Qing/Republic homage lane, as true Ming imperial wares of this scale command six-to-seven figure sums. A £1,450 (~$1,850 USD) retail sale by Timothy Langston for a similar 'Four Gentlemen' pair further cements the baseline. The high-end ceiling is illustrated by the $4,375 Adams.ie near-pair of ovoid jars and the $4,450 Shunzhi beaker vase, but these represent heavier forms and earlier periods. Consequently, a $2,000 to $3,000 auction estimate firmly accounts for their authentic homage status, intact pair premium, and high-quality underglaze decoration.
▲ Preservation as an intact, matching pair, which commands a strict market premium over singles or assembled near-pairs.
▲ Execution of the highly desirable 'Four Gentlemen' (Sijunzi) literati painting motif.
▲ Documentary provenance established by physical inventory sticker #13496, indicating prior institutional or gallery cataloging.
▲ Strong collector demand for high-quality Late Qing/Republic era homage ceramics, which have overcome previous market stigmas.
▼ The apocryphal Wanli mark places a hard ceiling on the value, separating it entirely from the multi-million-dollar Ming Imperial ware market.
▼ Exact dimensions are currently unverified; if these are cabinet-sized rather than monumental, the value could cluster toward the lower end of the estimate.
▼ Any unphotographed rim hairlines, footrim chips, or professional restorations would necessitate an explicit 30-50% deduction from this baseline.
Best Venue
A specialized Asian Works of Art auction at a mid-tier to major international house (e.g., Bonhams, Freeman's | Hindman, or Skinner), which enforce strict cataloging discipline regarding homage marks and attract dedicated Republic-era collectors.
Upside Potential
If exact physical measurements reveal these vases to be monumental in scale (over 16-18 inches), the pair could easily exceed the $3,000 high estimate.
Authenticity Notice
High risk. The Chinese ceramics market is heavily saturated with fakes. While the marks are already established as apocryphal period-homage marks (c. 1890-1920), physical examination of the paste, footrim wear, and cobalt firing depth is required to confirm they are genuine Late Qing/Republic pieces rather than modern late-20th-century reproductions.