Edo Period Nagasaki Raden Inlaid Lacquer Kodansu (Small Cabinet)

Story

During Japan's closed-border Sakoku era, Nagasaki remained the sole international gateway where Chinese techniques met Japanese lacquer art. Craftsmen placed luminous abalone shells over mineral pigments, creating these glowing jewel-like floral blossoms.

Maker / Origin

Crafted by skilled lacquer artisans in Nagasaki workshops, these pieces synthesized imported Chinese Yuan and Ming raden techniques with traditional Japanese urushi forms. Nagasaki specialized in intricate mother-of-pearl inlay, producing sophisticated luxury objects for wealthy domestic merchants and select foreign trade through the Dutch East India Company.

Condition & Value

Very good antique condition overall with strong iridescence and intact inlay work. Expected age wear including minor lacquer rubs around corners, faint surface scratches, and natural patina to the bronze handle; the high degree of shell retention significantly supports value.