Preliminary identification
Photo reference
5 uploaded photos
Overview
A large, dramatic oval pendant featuring a high-relief repoussé scene of a seated goddess, likely Athena or Roma, receiving a small winged figure or cherub. The piece is framed in a twisted ribbon border and shows evidence of original silver plating over a copper or brass base metal.
Story
Victorian travelers on the 'Grand Tour' across Europe sought these romanticized tokens of antiquity to prove their worldliness. This scene captures the 19th-century obsession with Greek and Roman ruins, turning ancient mythology into wearable status symbols. It was a souvenir of a life-changing journey.
Maker / Origin
While unsigned, this piece was likely produced in a specialized workshop in Rome or Naples catering to the influx of wealthy tourists. These artisans were masters of 'repoussé'—the art of hammering metal from the back to create a 3D image—often copying famous museum sculptures or friezes.
Condition & Value
The piece shows significant 'bleeding' where the silver plating has worn away to reveal the warm brass or copper underneath. This patina is actually preferred by many collectors as it proves the item's age. The bail appears sturdy and original.
Full Research
Sold comps, value drivers, and venue guidance pulled from recent auction results.
Build on this identification
Layer in sold comps, value drivers, and venue guidance.
Comparable demand stays strongest where maker, originality, and venue confidence line up. Broader examples still trade, but the range tightens quickly when provenance, condition, or selling lane fit is missing.
Best Venue
Specialty auction or a focused dealer with buyers already in this lane.
Signed example with light edge wear and original frame.
Comparable format with stronger provenance and cleaner surface.
Smaller related piece with visible craquelure and trimmed margins.
Period match with softer condition and weaker subject matter.
Close market lane comp with similar material and presentation.