Overview
A Chinese blue-and-white porcelain bowl painted in underglaze cobalt with scrolling floral foliage, fret borders, and a medallion interior, accompanied by a traditional Japanese fitted wooden storage box (tomobako). The piece displays characteristics of late Ming export wares, specifically 'Ko-sometsuke' treasured by Japanese tea ceremony masters.
Story
During the tumultuous twilight of the Ming Dynasty around 1620, private Jingdezhen kilns crafted charming, freehand blue-and-white ceramics for Japanese tea masters, who prized their natural imperfections.
Maker / Origin
Rather than the rigid perfection demanded by imperial court kilns, folk and commercial kilns in Jingdezhen enjoyed great artistic freedom during the late Ming period. Artisans quickly and expressively hand-painted cobalt onto raw clay before firing, giving each vessel lively spontaneity.
Condition & Value
Displays classic characteristics such as fritting along the rim (often referred to as mushikui or 'insect bites'), minor glaze pinholes, and kiln grit adhesions to the unglazed foot ring, all considered desirable traits in tea-taste wares.