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Comparable Sales Report
Pair of Chinese Blue and White 'Four Gentlemen' Vases, c. 1890-1920
Jingdezhen, China · Late Qing Dynasty to Early Republic Period
3
Verified Comps
$2,000 – $3,000
FMV Range
85%
Confidence[M]
The Maker
Jingdezhen, often referred to as the 'Porcelain Capital' of China, has been the center of Chinese ceramic production for over a millennium. During the Late Qing Dynasty and Early Republic Period (c. 1890-1920), the kilns experienced a renaissance of historical reverence. Artisans consciously looked back to the golden age of the Ming Dynasty, reproducing the celebrated underglaze cobalt blue techniques and applying apocryphal reign marks—such as those of the Wanli Emperor—as a sign of respect for traditional craftsmanship rather than direct forgery. The 'Four Gentlemen' (Sijunzi) motif painted on these vases—comprising the plum blossom, orchid, bamboo, and chrysanthemum—is one of the most enduring subjects in Chinese art. Rooted in literati painting traditions, these plants symbolize the virtues of the ideal Confucian scholar: resilience, humility, uprightness, and endurance. By translating these fine-art brushwork traditions onto three-dimensional porcelain canvases, Jingdezhen artisans created works intended for sophisticated domestic interiors, bridging the gap between utilitarian objects and elevated fine art.
Valuation
$2,000 – $3,000
Insurance / Replacement: $5,000
Auction FMV · 85% confidence High
This is a striking pair of Late Qing Dynasty to Early Republic period (c. 1890-1920) Chinese blue and white porcelain vases, executed at the Jingdezhen kilns and decorated with the traditional 'Four Gentlemen' botanical motif. The owner flagged a disagreement with the identification, likely stemming from the six-character '大明萬曆年製' (Great Ming Wanli Period Make) marks on the bases. Standard fine art ceramic protocol requires treating reign marks as decorative claims to test; the visual execution of the cobalt brushwork and paste profile firmly identify these as Late Qing 'homage' reproductions rather than 16th-century originals. Value is anchored by their preservation as an intact pair and verifiable provenance indicated by inventory sticker #13496. The estimated range reflects market demand for high-quality Republic-era homage pieces, distinct from genuine Ming imperial wares.
Market Analysis
The market for Chinese painted ceramics draws a sharp distinction between true pairs, near-pairs, and single pieces. An intact pair commands a strict 50% to 100% premium over equivalent single wares. This is demonstrated by the Eldred's comp, where a comparable pair with apocryphal Wanli marks realized $2,000, while a similar single vase at Bukowskis sold for approximately $1,500. The owner's disagreement regarding the identification has been evaluated; while the Wanli mark is present, pricing must align with the Late Qing/Republic homage lane, as true Ming imperial wares of this scale command six-to-seven figure sums. A £1,450 (~$1,850 USD) retail sale by Timothy Langston for a similar 'Four Gentlemen' pair further cements the baseline. The high-end ceiling is illustrated by the $4,375 Adams.ie near-pair of ovoid jars and the $4,450 Shunzhi beaker vase, but these represent heavier forms and earlier periods. Consequently, a $2,000 to $3,000 auction estimate firmly accounts for their authentic homage status, intact pair premium, and high-quality underglaze decoration.
Value Drivers
▲ Preservation as an intact, matching pair, which commands a strict market premium over singles or assembled near-pairs.
▲ Execution of the highly desirable 'Four Gentlemen' (Sijunzi) literati painting motif.
▲ Documentary provenance established by physical inventory sticker #13496, indicating prior institutional or gallery cataloging.
▲ Strong collector demand for high-quality Late Qing/Republic era homage ceramics, which have overcome previous market stigmas.
Concerns
▼ The apocryphal Wanli mark places a hard ceiling on the value, separating it entirely from the multi-million-dollar Ming Imperial ware market.
▼ Exact dimensions are currently unverified; if these are cabinet-sized rather than monumental, the value could cluster toward the lower end of the estimate.
▼ Any unphotographed rim hairlines, footrim chips, or professional restorations would necessitate an explicit 30-50% deduction from this baseline.
🏛 Best Venue
A specialized Asian Works of Art auction at a mid-tier to major international house (e.g., Bonhams, Freeman's | Hindman, or Skinner), which enforce strict cataloging discipline regarding homage marks and attract dedicated Republic-era collectors.
📈 Upside Potential
If exact physical measurements reveal these vases to be monumental in scale (over 16-18 inches), the pair could easily exceed the $3,000 high estimate.
⚠️
Authenticity Notice
High risk. The Chinese ceramics market is heavily saturated with fakes. While the marks are already established as apocryphal period-homage marks (c. 1890-1920), physical examination of the paste, footrim wear, and cobalt firing depth is required to confirm they are genuine Late Qing/Republic pieces rather than modern late-20th-century reproductions.
Comparable Sales (3)
Lyon & Turnbull ↗ May 17, 2024
$4,450
Blue and White 'Four Gentlemen' Beaker Vase, Qing Dynasty, Shunzhi Period
HIGH SOLD
Bukowskis ↗ December 12, 2019
$1,500
A Blue and White Vase, Late Qing Dynasty/Republic with Wanli Mark
MEDIUM SOLD
Eldred's Auctioneers ↗ Spring Asian Art
$2,000
Pair of Blue and White Porcelain Vases (Wanli mark)
MEDIUM SOLD
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Research Details
2
Rounds
3
Verified Comps
1/0
Questions
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Context Sources

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This report uses internet-based research techniques and should be used as a reference guide only. Critical input variables such as condition, provenance, rarity, and regional demand may not be fully captured and can alter value considerably. Auction results may include buyer's premium. Always verify data with primary sources before making purchasing or selling decisions. This does not constitute a formal appraisal.
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